Cam Cloman

Recent posts by Cam Cloman

vince staples

Hip-Hop Campaign Speech: Vince Staples

You could easily say that 2016 was one of the best years for hip-hop in recent memory, but who had the BEST year? The contributors at Artistic Manifesto submitted their pick of which artist had the biggest 2016, and wrote a speech from that artist’s perspective. Now it’s up to you, the reader, to decide . . .

Review: Big Sean - 'I Decided.'

Big Sean inspires your inner underdog with ‘I Decided.’ (Review)

What can be said about Big Sean that hasn’t already been said by the man himself? The rapper whose flow was described by Don Cheadle as being like “jazz syncopation” has returned with the follow up to his breakthrough Dark Sky Paradise album. For anyone who may have been following Big Sean since the Finally . . .

I See You

The xx takes a bolder stance with ‘I See You’ (Album Review)

UK indie electronic rock band The xx returns to deliver I See You, their first full album in five years. The record is stated to have been following an inspirational lead from Jamie xx’s solo debut, In Colour. This record takes a bolder stance sonically than the past two records, Coexist and XX, while still remaining . . .


Kid Cudi’s ‘Passion, Pain & Demon Slayin’ delivers an indirect response to #YouGoodMan (Review)

In a year full of highly anticipated “come-back” albums via the return of Frank Ocean, Ab-Soul, & Charles Hamilton, the release of Kid Cudi’s next entry to the rap ecosphere holds a particular interest for several reasons. Long considered the “Lord of the sad and lonely,” Kid Cudi’s star potential has been focused on delivering . . .


The Weeknd’s meteoric rise continues with ‘Starboy’ (Review)

The Weeknd shines as he continues his evolutionary trek on Starboy High Snobiety After what seemed like years of being stuck on Thursday, The Weeknd has teamed up with Daft Punk to deliver Starboy, a true coming of age LP. I define a coming of age album as one that truly shows mastery of whatever qualities initially attracted us to . . .