After announcing he’s joining MadeinTYO on tour with 24hrs, and K Swisha, Mir Fontane celebrates by releasing the official “WYD” music video. JUST GOT ADDED TO @MADEINTYO TOUR!! GRAB 🎟🎟🎟: https://t.co/9mwmtXoWAU pic.twitter.com/laisNc3lW3 — MELODY MON$$TER (@MirFontane) October 5, 2017 “WYD” is a Kev Rodgers and Kenif Muse-produced song that originally appeared on Mir’s CAMDEN project, which released back in June. Shot at Bandit . . .
Big Sean just dropped a video for “Moves.” Before that? We heard “Living Single,” featuring Chance The Rapper and Jeremih. Today? He announced his tour. I Decided releases on February 3rd, so it’s only right that Sean will be on tour from March 17th to April 20th. MADEINTYO is going to be the opener. Check . . .
Madeintyo is having one hell of a year and you can’t deny it. His latest release comes in the shape of a visual for the 2 Chainz–assisted, Richie Souf-produced “I Want.” To say that there’s tons of energy in this video would be an understatement, as the two manage to bring their brand of turn up . . .
Apparently, Travis Scott‘s remix of Madeintyo‘s “Uber Everywhere” leaked and he is not pleased. Whoever leak that sucks. Not droppin shit for while. Cause of that — TRAVIS SCOTT (@trvisXX) February 16, 2016 Man I don’t get why not wait for an official version it would sound way better. — TRAVIS SCOTT (@trvisXX) February 16, . . .
After dropping a video for “Go Go Go,” OVO signee Roy Woods has blessed the world with a new Nocturnal EP. The seven-track project includes guest features from Majid Jordan and MadeinTYO. Stream Nocturnal below, and purchase via iTunes. 01. Roy Woods – Magic 02. Roy Woods – Four Seasons 03. Roy Woods – Chilli . . .
They have different styles, but Steve G. Lover and Childish Gambino compliment each other well on “No Hookahs.” That’s probably because they’re brothers. The two teamed up to drop verses over Tyga‘s “Hookah,” as part of Steve’s Rich Black American project. The newly released project is presented by DJ Rhetorik and features a total of eighteen . . .