Read Solange’s personal interview with Beyoncé

Read Solange's personal interview with Beyoncé

It’s been a banner season for Solange. Who better to talk to her about her number one selling album, A Seat At The Table, than her sister Beyoncé? That’s exactly what happened with their conversation via Interview Magazine. The two discussed the inspiration behind the album, her childhood, the meaning of “Cranes In The Sky,” and much more.

Beyoncé remarked that Solange has always seemed like she knew what she wanted, and asked her where that certainty came from. Solange’s response was very authentic.
“I have no idea, to be honest! I always knew what I wanted. We damn sure know that I wasn’t always right. [both laugh] But I’d sit firm, whether I was right or wrong. I guess a part of that was being the baby of the family and being adamant that, in a house of five, my voice was being heard. Another part is that I remember being really young and having this voice inside that told me to trust my gut. And my gut has been really, really strong in my life. It’s pretty vocal and it leads me. Sometimes I haven’t listened, and those times didn’t end up very well for me. I think all of our family—you and mom—we’re all very intuitive people. A lot of that comes through our mother, her always following her gut, and I think that spoke to me really loudly at a young age and encouraged me to do the same.”

Beyoncé also asked Solange to speak on the significance of the “Cranes In The Sky” title.
“Cranes in the Sky” is actually a song that I wrote eight years ago. It’s the only song on the album that I wrote independently of the record, and it was a really rough time. I know you remember that time. I was just coming out of my relationship with Julez’s father. We were junior high school sweethearts, and so much of your identity in junior high is built on who you’re with. You see the world through the lens of how you identify and have been identified at that time. So I really had to take a look at myself, outside of being a mother and a wife, and internalize all of these emotions that I had been feeling through that transition. I was working through a lot of challenges at every angle of my life, and a lot of self-doubt, a lot of pity-partying. And I think every woman in her twenties has been there—where it feels like no matter what you are doing to fight through the thing that is holding you back, nothing can fill that void. I used to write and record a lot in Miami during that time, when there was a real estate boom in America, and developers were developing all of this new property. There was a new condo going up every ten feet.”

“You recorded a lot there as well, and I think we experienced Miami as a place of refuge and peace. We weren’t out there wilin’ out and partying. I remember looking up and seeing all of these cranes in the sky. They were so heavy and such an eyesore, and not what I identified with peace and refuge. I remember thinking of it as an analogy for my transition—this idea of building up, up, up that was going on in our country at the time, all of this excessive building, and not really dealing with what was in front of us. And we all know how that ended. That crashed and burned. It was a catastrophe. And that line came to me because it felt so indicative of what was going on in my life as well. And, eight years later, it’s really interesting that now, here we are again, not seeing what’s happening in our country, not wanting to put into perspective all of these ugly things that are staring us in the face.”

Read the full interview here.





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